Writers, DON’T GIVE UP!

After my first attempt at sending out my latest novel, the agent’s letter came back: Screen Shot 2017-01-13 at 2.13.52 PM.png

So, how many agents should I send my MS to? Am I  Capable of receiving more rejection letters?

Hell, yeah, I am.

Kathryn Stockett’s book, The Help, was rejected 60 times.

Gone with the Wind by Margaret Mitchell was rejected 38 times before it was published.

Carrie by Stephen King was rejected 30 times before it was published.

A Wrinkle in Time by Madeleine L’Engle was rejected 26 times before it was published.

Harry Potter and the Sorcerer’s Stone was rejected 12 times and J. K. Rowling was told “not to quit her day job.”

Lord of the Flies by William Golding was rejected 20 times before it was published.

Not giving up, nope, not giving up.

‘Cause I got High Hopes (excerpt)

Next time your found, with your chin on the ground
There a lot to be learned, so look around
Just what makes that little old ant
Think he’ll move that rubber tree plant
Anyone knows an ant, can’t
Move a rubber tree plant
But he’s got high hopes, he’s got high hopes
He’s got high apple pie, in the sky hopes
So any time your gettin’ low
‘stead of lettin’ go
Just remember that ant
Oops there goes another rubber tree plant

-music by Jimmy Van Heusen and lyrics by Sammy Cahn.

 

 

 

 

Loving Ted, here and now, up and down, two and fro, so there you go!

A little inspiration that a friend gifted me:

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Although, part of me has “outgrown” his books, as a retired Early Childhood Specialist, I will always love his dedication to children. AND,  I am a _UGE fan of his art!

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“Brilliant, playful, and always respectful of children, Dr. Seuss charmed his way into the consciousness of four generations of youngsters and parents. In the process, he helped kids learn to read.” Read more

 

 

 

Why must I?

always write outside? Even when I travel, I search for a place out in the elements where I can plant my tush, open my laptop and write.

Perhaps walls close in my thoughts.

Or the heater or AC turning on sounds too artificial.

Or I don’t like the fake lighting.

Maybe it’s because I got used to writing (or painting) outside when I was a smoker. But that was long ago.

Maybe it’s because, outside,  I can sit at a table and throw the ball for my mini-Aussie using a right-handed muscle memory with no thought but for the words I write.  So he and I, kill two stones with one bird (yes I meant it that way) – and it makes us both happy as he returns for another 50 throws.

I have one of those propane heaters, kinda like restaurants do. So if it’s above 40 degrees, I’m still good to go.

Because I live in Texas, the temp works with me. Right now, I think it’s around 68.

I like the soft wind, the openness, the expanse and, at least the hope of, the unbound creativity where no walls surround me and world shows up and says,

“Howdy do! Break Into – your creative zone”

Any maybe, it’s also because I get to see this:

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Four Quills of a Tale (as scribed by Elias Kent) – Entry 4

(Four Quills of a Tale is a folktale about losing one’s creativity and the struggle to regain it)

Entry 1

Entry 2

Entry 3

I stroke the feathered quills between my calloused fingers with care, unsure what to expect. Katrina the Great Storyteller has been my shining star atop the tallest pyramid and, if the old woman is correct, Katrina will soon be revealed. But what if my grandiose impression of her becomes one of  disillusionment? As a General orders the march forward, my duty calls. I inhale a breath of courage and place the first goose feather quill between my fingers. I insert the quill into the ink.

What is this? The quill refuses the ebony ink, repelling it like water on a duck. My hand trembles, but calms when the nib forces my press upon the parchment.

It is because of Goose, my muse, that this is, my final story, will be written and subsequently told. I trust that you, Mr. Kent, will not become tiresome or burdened with this charge, but instead, ultimately enlightened and fulfilled.

            I drop the quill. Yes, I am scribing. But these thoughts, these words, this handwriting, is not my own!

The quill rolls decisively toward my trembling hand. I have no recourse but to, again, place the first goose-feathered quill between my fingers.

I never abandoned you, my listening friends. Not with intention. I once was a soul of brilliant color. Sometimes, my hues of imagination were bountiful and my flowers bloomed from gardens sweet. I tilled the soil, deep in exploration of dreams, and stirred fertile ideas in the rich black earth.            

            Once discovered, I took the gems to flowing rivers, cleaned them, and analyzed them with curious and appreciate eyes. Oh, how I loved those times—when Goose and I traveled the countryside sharing tales of imagination with you! Even now, I smile remembering how Goose fluffed her tail feathers with bravado when amongst the listeners.

            And then the colors of my imagination began to fade. Weeds in my gardens multiplied like diseased cells. I yanked and pulled, discarding the bad, hoping the good would conquer. Sometimes, the scarce treasures bled around my hand and trembled with frustration like a blank canvas waiting for paint. Particles of uncertainty coursed through my veins. I tried to find the voice within my stories and the stories within my voice. But they had vanished, as if stolen by thieves in the darkest of night.

            What could I offer if not my stories?

to be continued ….

Four Quills of a Tale- as scribed by Elias Kent (entry 3)

Dear bloggers, I need your help. After rediscovering something I wrote a few years ago, I am recovering the story and editing as I go. Is this a worthwhile project? Have you read the last two entries? No pressure, but any comments or advice will help me in this endeavor. Thanks so much!

(Four Quills and a Tale is a folktale about losing one’s creativity and the struggle to regain it)

Entry One

Entry two

Alas, I remember something new.

“There is a canteen in fine leather casing on the kitchen table,” the old woman had told me. “Drink from it and quench your thirst before you depart.”

Stitched into the leather were gems of topaz, emeralds, rubies and other fine stones I did not recognize. I had picked up the canteen only to realize something anew. The colored gems where not gems at all, but oval splashes of color flush with the leather, yet so vibrant, I felt I could have pulled them off and filled my pockets.

Upon her suggestion, I had pulled out the cork and drank the refreshing liquid allowing its contents to soothe my questions and irritations. Then, quite peculiarly, my heart began to pound and my palms moistened. It was then, the first time in my months of travel that I yearned for home.

Unmoving from my desk, I Elias Kent, find myself dubious regarding the box before me and the old woman who allowed me to take it home.

Yet, the villagers never waivered in their faith of the free-spirited Katarina. And why would they? In her ingenious manner, she had mesmerized her listeners with a prolific and creative tongue. Tis’ the reason for their bewilderment when she disappeared.

Months went by and when traveling carriages, horsemen, and tradesmen heard no news of Katarina, her admirers fell into despair. Some became angry calling her “The Great Deserter.” Some believed she had become ill or had been taken by thieves who held her captive for her stories. Other speculators believed Katrina had given so much of herself, that she faded into the darkness like cold ashes blown into empty air.

I force myself to look down from these thoughts and pick up one leaf of the parchment. Exquisite it is! Like a jeweler feeling gold for the first time.

But what is the scrawl? Have my eyes defrauded me? Why have I not seen this before?  I pick up the small square of paper and read:

These feathers, made into writing quills, came from my goose, my muse. Trust them to write the story but know that…

The remaining words have faded away like our Katarina. I am no longer deterred. Her story must begin.

 

RAW Journal Kernels -Am I still here?

I haven’t done one of these in a while and I’m overdue. This one makes me laugh. (Andy is my brother-in-law)

In case you are new to these: Skimming through these old treasures, I had this thought: “What if I shared kernels, bits of my past from numerous journal entries?” All kernels are raw, unedited and scanned into this blog. 

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The Infinite Search for Self

There are those who I remember

And prefer to let them dwell

Within the ghostly shadows of a Nostradamus spell

Whether prophesy or heresy

Or the cost of simple jealousy

Is life a simple parody?

Since it’s me I know not well?

-CDW

 

Infinite

Why Can’t I for Once …

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I see faces in everything.

In the grains of a wooden table

In the markings on stone wall

In tiles on my bathroom floor

I even see a face in the shadows of a crumpled towel strewn on the floor.

I take a picture of cabinet doors and see a face.

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Okay, I forced these:

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But here’s the real question.

Why can’t I, for once, see a kangaroo smoking a cigar

or a flower growing out of a lima bean

or a mouse eating a shrimp?

I guess I’m not that creative.

(But, at least I don’t see dead people!)

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🙂 🙂 🙂