… you just feel like having your portrait painted.

by CD-W
… you just feel like having your portrait painted.

by CD-W

Painting by CD-W

Cono, my father, age 14
You don’t really know much when you’re born, but that’s where it starts, alright, whether you like it or not. When you’re just a little suckling pig on your mamma’s teat, all you really want to know is that the teat will keep filling up so you can start suckling all over again. Once you reckon the food’s always gonna be there, you move on to wondering whether you’re gonna be kept safe from harm and warm when it’s cold. As you get a little older, you find out that maybe there isn’t always going to be enough to eat after all, and you won’t always be warm either. This is especially true if you grew up during the Great Depression in Texas, in the western part, where any stranger is sized up from boot to hat, if, that is, they’re lucky enough to own both.
Texans trust themselves first and foremost, and then maybe one or two of their kinfolk, as long as they’ve found that trust to be right as rain, if the sun can set on their words. I grew up trying to figure out who was in which category, who I could trust and who to never turn my back on. There was a lot of line crossing. I learned what I know from watching those who crossed over and the others who stayed on their own side.
I did both.
Excerpt from No Hill for a Stepper, my father’s story
I love looking at the past. I took this photo yesterday when I was downtown. These old railroad tracks have existed for over one-hundred years. I wonder if the new buildings will as well.

Two canvases and acrylic paint.

Reblogging about reblogging. 🙂
Before Olvie gets a chance to say anything, I stare at this boys black and white railroad pants and the oversized sports coat that covers part of his white t-shirt. His black hair is cut short, but it’s curly. Not straightened like some Negros I’ve seen downtown around Congress Avenue. He gets closer. His expression sits somewhere between shame and anger.
Tanner’s not a grown-up. Maybe somewhere around my age, but it’s hard to tell since he’s not much taller than me.
Mr. Ford clears his throat. “Mrs. Monroe, this here’s my nephew, Tanner Ford. My sister’s son. Came here from Alabama for a visit.”
“So? Why would I care?” she says, rude like always.
“Miss Monroe,” Tanner says, his eyes downcast. “I threw that rock. I plan to get a job here while I’m visiting. I’ll pay for it.”
The only part of Olvie that moves is her mouth when it drops to her chin.
While we wait for Olvie’s voice to return, I say, “I’m Grace Cooper. I’m staying here until my folks get back from—”
“Overseas,” Olvie says. “And you will address me as Mrs. Monroe. You hear? ”
Tanner looks at his uncle and squints like I did when Mom told me about Olvie. Although she’d never been married, she pretends to everyone that she had.
“And before you ask, I’m not kin to Marilyn Monroe,” she say. “She’s been dead a year now and I’m still here.” Olvie finger-poke-poke-pokes his chest. “And you’re damn right about paying me back. I don’t like having my little house look like a shanty with cardboard windows. Next thing you know, some people will think it’s okay to throw appliances on my front lawn. And, you gave this girl quite a shock. I was afraid I’d have to sit up with Chicken Coop last night so she wouldn’t have nightmares. Such a shock for this poor girl. That’s right.” She turns to me. “Might still have to sit in your room till you go to sleep, right Chicken Coop?”
I shrug at her foolishness. She knows better than anyone how we have our windows broken all the time. A lot of pissed off folks don’t like my parent’s beliefs on Civil Rights.
I look at Tanner. He’s got the brightest green eyes I’ve ever since on a human being.
And all that glass I had to pick out of Gladys’ wig, poor thing.”
When Tanner looks puzzled, Mr. Ford whispers something in his ear. Probably reassuring him that Gladys isn’t human.
Come to think on it,” Olvie continues. “You can start tomorrow. My utility closet needs sorting. You’ll do it for free, of course.”
“Okay,” Tanner says.
Mr. Ford gives Tanner a soft thump to his arm.
“Yes, ma’am,” Tanner says.
“First thing in the morning. And I get up at seven.” Olvie looks up. “Oh, wait just a gosh darn minute. You’re not in some kinda trouble are you?”
From my work in progress set in 1963.
Dad’s been drinking. He sways his way over to me with a look on his sorry-ass face that says, “Ya best answer this next question the way I wanna here it. Where’s Zexie?” He didn’t ask where Pooch was. He could see him lying in the shade by the house.
“What?” I say, trying to keep my axe swinging in the right direction.
“I said where’s Zexie?” he yells.
Unlike Dad, time is standing still and sober like at the picture show, when the film has snapped and nobody knows what to do with themselves. All I know is, I’d been doing what I was told. I was chopping and sharpening, chopping and sharpening all day, the sharpening part being my idea. I have enough wood stacked up to make it through a blizzard.
I say back to him, “I don’t know, haven’t seen her. Been chopping wood all day.”
“Get the gun,” he says. “We’ll follow the trap line. See if she got caught up.” I run inside and get the single shot .22 off the chester drawers and run to catch up with Dad.
Sure enough, Zexie is lying in the first trap we come to, poor little thing. She’s been gnawing on her own leg to get out of that trap. I know I didn’t have anything to do with it. Dad set that goddamn trap, not me. I was only doing what I was told.
Dad pulls the trap open and picks her up, cradling her in one arm like a baby. Then he walks over and slaps the living hell out of me with the other. I stumble back but this time, I don’t fall. I make myself stand up straight.
Dad sure does like dogs.
He hands me the .22 to carry back and starts walking towards the house. Just as I’m thinking, “Don’t turn around you sorry son of a bitch ’cause I’m gonna shoot you in the back of the head,” he turns back around, grabs the .22 right out of my hand, and take the bullets out.
“Here,” he says, and hands the pistol back to me.
He doesn’t trust me, and I don’t trust him. That’s about the sum of it.
I know exactly how it feels to be caught in a trap, and I’ll be damned if I gotta gnaw off my foot to get out of this one. I also know there’s a way to have supper without feeling poisoned. I just have to figure out where that is and which direction I need to go to get there. I’d follow those railroad tracks anywhere about now.
Excerpt from No Hill for a Stepper
Author note: This is a true story and I need to tell my readers that Zexie recovered.
“Let yourself go. Pull out from the depths those thoughts that you do not understand, and spread them out in the sunlight and know the meaning of them.”
― E.M. Forster, A Room with a View

by CD-W
“You have brains in your head. You have feet in your shoes. You can steer yourself any direction you choose. You’re on your own. And you know what you know. And YOU are the one who’ll decide where to go…”
― Dr. Seuss, Oh, The Places You’ll Go!

my abstract art
Where are YOU going today? 🙂