Per her fuming, she decided to be alone.
painting by CD-W
Back off, Jack
1
Category Archives: Daily Prompt
3- minute rounds
(ˈnækəd)
adj
1. exhausted; tired out
2. When Carolyn hits pads non-stop for a 3-minute round (Very knackering)
with trainer, Mark Brown
Death of an Uncle
The man lying in the bed doesn’t look anything like my Uncle Joe. His head is all swelled up, and a long, bloody cut runs from his forehead, over his eye, and down to his chin. There’s another cut over his nose, a deep gash across his forehead, and a couple more roost on his chin. Mother comes up behind me with a fresh washcloth and scares the tar outta me.
“What happened to him?”
“Punk Squares and Hammit Bashem beat ’em with knucks and a tar tool,” she says.
“What fer?”
“Don’t rightly know fer sure.”
“When’s he gonna get better?” I whisper.
“Ain’t sure he is, Cono.” I don’t really want to know why Punk and Hammit beat up my Uncle Joe. I’m afraid to.
Three days later, after plenty of moaning, my Uncle Joe dies. Earlier that morning, when he took his last breath, Aunt Nolie covered him with a Blanket and cried, “He didn’t deserve this.” She wipes her nose and eyes with the back of her hand. Except for his cuts and bruises, Uncle Joe was whiter than a bed sheet.
Now some men in a big black car come to take away my stiff-as-a-board uncle.
Excerpt from No Hill for a Stepper, my father’s story
Campout over
It was dark, like now. Miss Helen had laid out the sleeping bags. Mama had set the sandwiches and cookies she’d made in the center of a picnic cloth.
After Mama and Miss Helen had gone inside the house, Scoot and me were fine for a while. We settled in to the hum and thump of the distillery until I realized the machine was so loud, I wouldn’t be able to hear danger if it came sneaking up on us. Maybe if Choppers had been there. But he was still recovering and getting used to his missing leg.
All that day, Scoot had been excited about camping out. That’s why I didn’t tell him I was spooked. I looked up through the gaps in the trees and watched the clouds as they moved across the half moon like Blankets trying to cover a small bed. Then it got darker. The owl hooted. When we both saw its eyes, yellow and mean, Scooter said it first. “Campout over.” Then he got up and walked inside with the sleeping bag over his head.
I’m not afraid of the dark anymore. I’m not afraid of untold secrets, either. “I’m afraid for Scooter,” I tell Frank.
Excerpt from The Moonshine Thicket set in 1928
Driving home from the hospital
We’ve only been waiting a few minutes when Tanner pulls the green and white Pontiac up to the front of the hospital. He hops out of the car, his teeth glistening in the dim light of dusk. Soon, I’ll be the one who makes his smile go away.
He opens the passenger door for Olvie. “Miss,” he says, ushering her inside like a real chauffer.
“How many dents and scratches did you put on Pontiac?” she says.
“Only one.” He smiles. “Buffed out easy as pie.”
Olvie lets out a hoomph. “Think you’re funny, don’t you Wise Guy?”
“Yes’m. Sometimes, my funny bone pops out an’ jes’ makes the white folk laugh.”
“Stop talking like Elias. Your uncle thinks he’s living on some plantation in Mississippi picking cotton for his Master.”
Tanner starts the car and pulls away from the hospital. “Uncle Elias’ Roots are still in his ancestors cotton field. And it’s Massa, not Master.”
I catch Tanner smiling at me through the rear view mirror.
“Don’t you dare stink up my car with slave dialect,” Olvie snarls.
“As long as you don’t dress me up in a moo-moo or as an Injun.”
“Don’t be crude, Wise Guy. I’ll have you know that Fritz is no ordinary Indian.”
“That’s for sure,” Tanner mutters.
Olvie huffs. “He’s an Indian Chief, and don’t you forget it.”
“How do you know Fritz likes being a Chief?,” he continues. “Maybe he just wants to be a mannequin.”
“Why you!” Olvie squeaks.
“Okay, maybe he liked being a Churman and wearing those lederhosen.”
“Shows what you know. The German Fritz got tired of thinking about the damn Nazis’.”
If I hadn’t watched the news, hearing their banter would have put me in a state of euphoria. Tanner seems totally happy, almost like a new person. But, knowing what I know, nothing in the world is funny.
Excerpt from my Work in Process, Olvie and Chicken Coop (working title), set in 1963 during segregation.
Pictures that don’t match up
I look in my duffle bag and see the sparring gloves Colonel Posey lent to me yesterday He had looked tired to me, like a man defeated from grief but who was still trying to stand up straight. His hair was Graying, and his eyes had lines at the corners like a map of a busy town. But his kindness sat on my chest like Pa’s and Ike’s kindness, stayed there perched like a redbird.
I thought about when Colonel Posey’s little daughter had died six months back from some disease the doctors didn’t know how to cure. I thought about Ervin Clay Carter and Gene Davis, them being dead and how hard it was on their parents and, maybe, how hard it was on me. They were just kids and life had sucked the air out of them easier than sucking a chocolate malt through a thin straw. Then I thought about Private Henderson.
After I’d told Colonel Posey about sparring with my father he said, “You know, whatever picture you’ve formed in your head about sparring with your father might not be what really happens.”
I knew what he was talking about. I thought of other pictures I’d made up in my head that didn’t match the truth, like working on that pipeline. That picture wasn’t anything like what happened. I thought of more pictures from long ago, like me owning my own guitar, or having a real conversation with my dad, or being able to reach my .22.
Drunk and crazy cowboys
Ike, my great grandfather, at age 23
Ike, “Is’ral”, in later years
According to Grady, Logchain and “Is’ral” got real liquored up, the two of them drunker than Cooter Brown. They hopped on top of Nellie, Ike’s old Gray mare, and rode straight into the lobby of the Gholson Hotel. As if that wasn’t bad enough, Nellie wore a bell around her neck that swayed back and forth like it was ringing an announcement that the two Cooter Browns were itching for havoc. Fire Chief Murphy chased after them, hollering for them to stop their nonsense. Instead of stopping, they roped ol’ Fire Chief Murphy and pulled him around a little bit. They didn’t hurt him none, but the madder the chief got, the more they laughed their fool heads off.
When Fire Chief Murphy finally freed himself from the rope, he just brushed off and mumbled, “Damn fools.” Then he walked off shaking his head like he still had dirt in his ears from really being dragged in the road.
That wasn’t the end of it. Ike told Pa he needed to go to the barbershop for a shave.
Pa says, “Aye, God, Is’ral, ain’t no need te pay Grady for a shave. I’ll do’er fer free.”
“Well,” says Ike, pondering the idea and probably clicking his cheek. “Alrighty then.”
They stumbled into the barbershop, and Ike walked over to Grady’s barber chair where he plopped down his dusty butt. Pa threw the shaving towel over him and lathered him up real good with the shaving brush. Grady said he just stepped aside and leaned up against the wall with his arms folded. He told me it was better than watching a picture show.
After the first nick, Pa slapped a little piece of paper over the cut and kept on shaving. After the second cut and the second little piece of paper Ike says, “Don’t ye be drainin’ m—” but Pa slapped a piece of paper over his mouth, so he’d shut the hell up saying, “Quit yer bellyachin’, Is’ral.”
By the time they walked out of the barbershop, Ike’s face was covered with those tiny pieces of paper. From cheek to cheek and nose to chin he looked like he’d walked out of a mummy’s tomb.
Grady said he was laughing so hard he barely heard it when Ike mumbled, “Logchain, it’s a miracle you didn’t cut my head plumb off.”
Then, those two crazy cowboys got back on that old grey mare, her bell just a ringing and rode off to who knows where to do who knows what else.
From No Hill for a Stepper, my father’s story.
Is this racist?
Upon reading the daily prompt, Zip, the first thing that came to mind was the song, “Zip-a-dee-doo-dah … what a wonderful day.” It’s from Walt Disney’s movie, Song of the South. Released in 1946, this live-action animated musical takes place shortly after the end of the American Civil War and the abolition of slavery.
Some think the portrayal of Uncle Remus and the cartoon characters depict African Americans in a racist light — they use black vernacular and depict”the good times” of working on a plantation. Racist? I can see that. I can also see the love and kindness.
Johnny, the white boy living in the “main” house, befriends Uncle Remus who tells him stories of Br’er Rabbit, Br’er Fox and Br’er Bear.
Because of the controversy, protests by some African Americans at the release of the movie and more, Disney decided in the 1980’s not to release the movie on VHS or on DVD in the US.
But, Change.org has a petition out there to have the film released to the American public so we can “learn from history” and can make our own decisions.
Here’s what I know. The clips I watched of Uncle Remus are loving and kind. When Johnny is seriously injured, it is Uncle Remus he calls for on his “death” bed. Johnny reaches for his friend. I love this:
At the end of the movie, Johnny and his two friends (one white, one black) are joined by Uncle Remus as they march happily up a hill.
This ultra curious woman wants to know. What do you think of this movie? Is it racist?
Meta pretends she’s a prostitute
His lips mashed together into a thin line. “Hey, wait just a confounded minute. Did you say…? They didn’t hire you to, you know…”
Retaliation. “Yes! I got a job there, and I know I will love it. The clients can be quite challenging. Last night, when I had to explain that I wasn’t warmed up yet—”
“I don’t want to hear more. Hell, I might be street-smart, but I haven’t even turned fifteen yet. Porca miseria!”
“Porca what?”
“Just practicing on not saying ‘shit’ all the time. Ma doesn’t like it, and my little sister thumps me between the eyes when I say it. It’s a little Italian cuss word that means pig misery. Like saying ‘damn.’ Where you off to, anyhow?”
“My Aunt Amelia’s. Would you care to accompany me, Mr. Scallywag? I found a job because of you, did I not?”
He tore the cap off his head and rubbed his greasy black curls of hair. “Stop saying that. I had nothing to do with you getting that job!” He pointed his finger eastward and accelerated his pace.
“Oh, but you did,” I said, hurrying to catch up. “If it hadn’t been for you, I wouldn’t be tingling with avidity for this evening to arrive. That’s why I’m going to visit Aunt Amelia, to tell her the good news.”
“What’s avidity mean? Wait, you’re going to tell your great-aunt about your new job? At Fannie Porter’s?”
“Of course. She’ll be thrilled for me. Besides, she knows I’m good at it. I’ve been doing it for years now.” I muzzled the smile aching to form.
His eyes widened into a dumbfounded glare.
“And avidity means eager, like being Avid about something.”
“I gotta go,” he said, turning away.
One more chance at deception. “Giovanni? You said you were fourteen?”
“Yeah. Why?”
“Well, you are too young to be entertained at Miss Fannie’s. However, I’ll ask her if you can watch me perform sometime.”
His jaw dropped, his dander standing taller than his five-foot-five stature. “You want me to…watch?”
“Ah, we’re here. Thanks for the company.” I trotted off with the last laugh.
From The Last Bordello, historical fiction set in 1901
Changing Keys
Oh, how the music drew me once –
a cadence with my own –
the perfect pitch, the unison,-
the Harmony of tone. –
But change of keys, a sharper chord –
A melody postponed –
That left behind a requiem –
of death from whence it’s grown
– CD-W
Carolyn Dennis-Willingham 