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About Carolyn Dennis-Willingham, Author

Author of two published books – No Hill for a Stepper, 2001, and The Last Bordello, 2016, and numerous children's books. Her third novel, Distilling Lies is set in 1928 and will be released on May 9th. A former early childhood specialist, she taught bias-free education to teachers at the local, state, and national levels and applies this fundamental principle in her writing. Whether writing for adults or children, her stories revolve around empowering the readers (and listeners) to believe in their potential, to appreciate diversity, and to believe in the power of imagination. When not on her laptop, she willingly serves as the lap-top for her five young grandchildren. In addition to writing, she enjoys boxboxing, hiking, dancing, strength training, and traveling. Occasionally, she pulls out the oil paints to see what emerges on a blank canvas. In addition to her blogging website, cdwcreations.com, you can find her on Facebook and on Instagram @cdwwrites .

Interior of a Class A Bordello

Photo is of the real Madam Fannie Porter who was made famous by harboring Butch Cassidy and his Wild Bunch.

Screenshot 2014-11-23 12.11.09 copy

The portal to the unknown inched open and revealed a handsome woman, her head held high like a proud Thoroughbred. Her eyes looked stitched with a dark-brown thread of authority and were the same color as her perfectly coiffed hair. Perhaps in her thirties, she wore a lavishly brocaded burgundy gown that cinched her waist and revealed her curves. And her shoes! I had read that Mrs. McKinley had worn such shoes at the president’s inauguration—white satin slippers beaded with color.

“Miss? How can I help you?”

“I…I’m Meta Duecker.” I hated my fear, my uncertainty and lack of confidence. “It seems I have been misled to this address. I was hoping for a glass of water and directions, perhaps?”

“Meta, I’m Madam Fannie Porter. Please come in.”

She grabbed the heavy hatbox and steered me away from the inappropriately dressed women in the parlor.

“Have fun, boys,” she said to the salivating men.

Frozen, I averted my eyes from the coquettish prostitutes and their clients and focused on the opulent décor.

To my left, an ornately carved baluster led to upstairs. Through the upstairs banister, I counted six closed doors. A grand chandelier hung from the high ceiling, and a large gilded mirror above the hearth doubled the brilliance of the room and cast a sensual glow on the two red-velvet settees and the wingback armchairs upholstered in Oriental fabric. Next to the chairs sat tea tables covered in tatted lace. A slightly faded Persian carpet lay beneath the furniture. Never had I seen such grandeur.

“Meta? Shall we?”

I followed the madam through the parlor to the right. An old upright piano stood in the corner just before the swinging doors. The wood, soft to my touch, yearned for attention.

 

Excerpt from The Last Bordello

 Interior

Calm for the Soul

my-guitar-enhanced

Me in the 1970’s. I think I was 16. I still have this guitar!

Music ‘tis the calm for the soul

its lingering presence of tone

So sweet the sound, to which I’m bound

Doth keep me from being alone.

 

Refrain! I beg the timbered tone

Do not renounce these ears!

For with it not, the peace once sought

Is severed when once sincere. 

-CDW

My wish for YOU

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After my sweet mom died, I made this shadow box for my heartbroken father. (These are paper doves, not stuffed!) Together, Mom and Dad had always enjoyed the sweet sound of mourning doves and kept their bird and squirrel feeders full. Now, my parents live together in a softer place.

The poem is Emily Dickinson’s:

Hope is the thing with feathers

that perches on the soul

and sings a tune

without the words

and never stops at all.

(excerpt)

For this coming new year, my wish for all of you is to feel the love, peace, joy and hope in the soft tickles of feathers.

Blessings all,

Carolyn

Hopeful Mama Still Loves Me

Scoot and me are late to school. I don’t like being late because everyone stares and Miss Primrose expects a ‘reasonable excuse for tardiness.’

Scooter pulls out his pocketknife and strolls to the front, his happy eyes aiming at the wood he’s about to shave into invisible.

“Emma June?” Miss Primrose says.

“I’m sorry, Miss Primrose,” I say, glancing at Frank who’s giving me a half smile. “Scooter had himself a bit of an adventure.”

The class giggles and I want to punch them all in the face. What’s wrong with an adventure? At least the ones that don’t make someone carry a grudge. Daddy said Mama still loves me. There’s hope in that.

I try so hard to remember what happened toward the end of the carnival, but everything is jumbled up like bad scrambled eggs. Carla was in better shape than me, but she fell asleep on the ride home when Mama and Beauty had the fight. I remember fading in and out while they argued. I remember upchucking more than once. There’s nobody to tell me what happened except Mama.

So many questions I wanted to ask Daddy that morning when  I woke up to find Mama gone. The only answers were Daddy’s tears. “We’ll work this out. Don’t worry. We’ll work this out,” he had said. And then his words faded as he shuffled away to his bedroom and closed the door.

I don’t know how to help him work things out any more than I know how to make Mama come home. I might as well try picking up shadows.

 

Excerpt from The Moonshine Thicket (1928)

Hopeful

“Short One Paddle for a Row”

I wrote this a while back as a blues song. If only I could hear Taj Mahal bring it to life! Check his “Ain’t nobody’s business but my own.”

I met him once, had my picture taken with him. Wish I could find it for you! But, you know. I’ll find it when I ain’t lookin’. 

I’m ain’t hungry ’cause I got my tunes

Ain’t thirsty, ’cause I’ve paid my dues

Hope you don’t mind me sayin’

But I sure like playin’ these blues, uh huh.

I sure like playing’ these blues.

I got the flow going, but my boat’s kinda slowin’

I’m just one paddle short of a row

You know

I’m just short one paddle for a row.

I ain’t weary ’cause I dreamed all day

Stayed up all night just to here myself play

I’m not sleep deprived

’cause I just arrived

I’m just little tired ’round the edges, but hey!

I got that sultry timing’, just ain’t so good at ryhmin’

I’m just two jiggers short of a lime

But I’m fine.

I’m just two nickels short of a dime.

So if you think you hear me comin’

hit the road and start a thumbin’

just float me down an oar a’fore you go

Cause I’m short one paddle for a row, you know.

I’m just short one paddle for a row.

But I sure like playin’ these blues, uh huh.

I sure like playing’ these blues.