Tag Archives: Jim Crow

Cleaning a bigot’s plow

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“Now what are you talking about? I know what’s right and wrong. And you hanging out with a colored is not right. What would your parents th …”

Kent’s words hang in the air, his sentence unfinished. He knows what my parents do. He knows we’ve had Mr. Overton, our new Local president of the NAACP, over for dinner. Kent saw him when he dropped by that evening last spring.

I point a finger to his chest and feel like Olvie. “It’s time for you to leave, Kent. You’ll never understand.” I turn to go inside.

He grabs my arm. “You’re full of shit, Grace. All this time I thought you were smart enough to—”

My eyes burn coal. “Let go of me.”

“Problem, Chicken Coop?” The familiar voice sounds protective.

Isaac saunters up the walkway and up to the front porch. He’s about the same height as Kent, but thinner. Yet his presence towers over Kent a hundred times over. When he looks at Kent, his eyes don’t shift, don’t blink.

“What are you looking at, colored boy?” Kent says, but his wobbly voice betrays him.

“Not much,” Isaac says.

Kent pulls back a fist then launches it toward Isaac’s face. Isaac catches it somewhere in mid air. Kent opens his mouth, then closes it.

“You see, Massa,” Isaac says. “I ain’t s’posed to fight with white folk. So, my Daddy and my Mammy both taughts me to be quick on these here feet. Ya know, to’s protect m’self from de harms dat be.”

“You stupid, nigg—”

“Nigerian, you were about to say.” Isaac says losing his accent. “Right, Kent? Because when a white person says that other word, it means they are ignorant about walking in the footsteps of humanity. I highly suggest you leave Mrs. Monroe’s porch and bike it to that theater. You show good movies there.”

Kent’s mouth opens. His chin drops. He can’t quite manage the puffing out of his chest. His posture deflates until he reaches the curb. Kent straddles his bike and points to Isaac. “Your plow needs cleaning, boy.”

As he rides off, Isaac yells, “Ain’t got one no mo’. Done sold it to my Massa.”

I turn to Isaac. “I didn’t know you were such a tough guy.”

Excerpt from WIP, Bare Bones of Justice (working title), set in 1963

Daily word prompt: Local

Contending with Fear

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I sit next to Gladys and, without choice, allow my head to throb. My eyes are filled with invisible grains of sand. My body is limp from exhaustion. Mrs. Roberts must feel the same way, only worse. She also has to contend with two young children and an abusive husband.

And Isaac. He has to contend with the fear for his safety, and the physical proof of racism.

If I didn’t have parents who fought for civil rights, would I be a clueless white girl whose only worry was flirting with the right boy, making descent grades, wondering what fun I would have the next day? Sometimes, I wish it were that easy. But I can’t go back on what I know. I can’t ignore the plight of my new friends, including Olvie.

I see now that she is a lonely woman. She loved a man who died before she had the chance to marry him. It’s made her stiff, like the plaster-molded Gladys and Fritz. There’s more I don’t know about Olvie. What? Who wrote her those letters that Isaac and I haven’t looked at since his scorpion bite?

The door opening startles me, but seeing Isaac, I relax.

“You okay, Chicken Coop?” he says.

I struggle to shrug my shoulders.

He sits next to me and sighs. “Damn, what a fucking day.”

“A fucking day.”

He turns sideways on the couch to look at me. “You really are scared of fires. Thought Olvie just made that shit up.”

“Not this time.” I tell him about the KKK crosses on my front lawn.

“Well, if I had to come here and meet a white girl, I’m glad it’s someone who understands.”

I want to tell him how I value our friendship but I’m so tired, my lips won’t move. I also want to tell him that I don’t understand, not really. My skin’s not dark.

“Willie, Lieutenant Davis, is going to help me.”

Isaac’s words Puncture my veins with new energy. “What? How?”

 

Excerpt from my WIP set in 1963, Working Titles: The Bare Bones of Justice/Plastic Justice

Daily Word prompt: Puncture

Bare Bones of Justice

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I feel woozy. Isaac’s baby sister had died too young and his brother had been murdered.

“No need being mad at Uncle Elias,” Isaac says. “He’s seen more things than most of us. He knows the rules, the law of the land.”

“Yeah? And he thinks those laws are good?” Olvie says. “All he does is live day to day feeling bad that he wasn’t born white. Why can’t he stand up to things once in a while.”

“He’s just fine being a colored man. He’s just scared.”

“Scared? Everybody’s scared of something.”

I want to ask Olvie what she’s scared of. Not now. I’ve never seen her so serious.

“You’re scared for Sylvia,” she continues. “You’re scared you might be the next one to be beaten and locked up. Chicken Coop here is afraid fire.”

How did she know that?

“So, what do I do?” Isaac asks.

“Do?” Olvie picks lint off of Gladys’ moo-moo, hesitating. “What does Elias think? Not that it matters, of course.”

“This time, he’s scared for me. I told him the whole story. I had to. You know, in case a deputy comes to pick me up. After I told him, he went—”

Olvie holds up a hand. “Let me guess. He went to his Sweet Home Baptist Church to pray for his sweet home and kinfolk.”

Isaac nods. “He asked me to go, but I couldn’t.”

“Uh-huh. How’s prayer worked for your uncle so far?”

“Can’t answer that, Olvie,” Isaac says. “God and me are on the outs right now.”

Olvie sighs. “Fair enough.”

The whistling starts. The Andy Griffith Show is about to come on.

Olvie stands and, to my disbelief, she turns down the TV Volume.

“Maybe you should find an ambulance chaser,” she says, sitting back down again. “Chicken Coop? Don’t your folks know folks in the NAACP?”

“Mr. Overton. But he’s not a lawyer. I’ll ask when they call.”

“Oh, no you won’t. There’s no need for your parents to turn around and come home. We’ll figure this out on our own.” Olvie stares at Gladys. “What do you think?”

Isaac and I roll our eyes and wait for the end of their silent conversation.

“She said chopping off your finger is no longer an option.” Olvie grins. “I say we visit Overton. He’s bound to know someone. Or …” She looks up at the ceiling and sniffs something I can’t smell. “Or, we take Pontiac and drive to Birmingham. Clear this up once and for all so those cops won’t think you ran away from a crime.”

Isaac stands. “As much as you think you understand, you don’t. We cross those county lines and I won’t have a chance to clear anything but my bowels.”

Olvie crinkles her nose. “Well, that’s a disgusting thought. You just cleaned Pontiac and now your want to soil her with your scared shit?”

“Deputy Garvey,” I say. “He seems decent enough. How about we talk to him. Get his advice.”

“Good one, Chicken Coop.” Olvie heads toward the phone.

“Wait just a goddamn minute,” Isaac says. “This is my life you two are talking about. Maybe I don’t want you to call a policeman. Even one you both know.”

Olvie stops. “Okay, Wisenheimer. You think I wear a white hood when I’m sleeping?”

“I know better than that,” he says. “But police haven’t been so kind to Negros.”

“Isaac,” I say, hoping I’m right. “I’ve talked to Deputy Garvey. And yes, I know you’re skeptical of police. But I think he might just do you right. Plus, he also knew my grandmother, and liked her.”

“Was your grandmother colored,” he says frowning.

“Not that I know of.” I grin. “But she was a tolerant person who hated injustice.”

 

Excerpt from my WIP, Bare Bones of Justice (working title)

Daily Word Prompt: Volume

Sitting in the back of the bus

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I’m sitting with Isaac in the back of the bus as we pass Pease Park, one of my favorites. Daddy said Governor Elisha Pease owned the land for a slave plantation. But Pease believed in the Union’s cause so I must imagine that he treated them with kindness. Pease also owned the area the area now known as Clarksville. Freedman Charles Clark Griffin bought two acres of that land for one-hundred dollars, the land where Elias Ford has his home.

But Shoal Creek, the grass and the oak trees, aren’t what catch my eye. I’d recognize that red Schwinn anywhere. He’s staring at the bus.

“Duck down, Isaac.”

Isaac doesn’t ask why until he scrunches down in the seat, his eyes wide.

“It’s asshole. He must have followed us.”

Ours is the next stop. We don’t get off. Fifteen minutes later, we find ourselves back downtown. The bus’ engine shuts off. I have to pee in a bad way.

The driver stands up, his hands on his hips. “This ain’t no tour bus,” he yells to us.

“Sorry,” I yell back. “I must have fallen asleep. I’ll stay awake this time, I promise.”

“What about you, boy?”

“Must’a dozed off too. I’m headed for Clarksville.”

When more people climb the steps to board, Dick-Driver restarts the engine.

“I think we lost him,” I say. “He won’t find me now.”

“We’re stopping at Clarksville first,” the driver fumes out.

Isaac is the only Negro on the bus.

We pull to a stop. The brakes screech.. “Out,” Dick-Driver says.

When I follow Isaac out the door, the driver shouts at me. “Where you think you’re going?”

Fifteen passengers turn their heads and glare at me.

“Home,” I say.

“Home,” Isaac says as he waits for me to get off the bus.

“What a jerk,” I mumble.

“Shoot, that was nothing. But I don’t mind saying, it feels good to be in Clarksville again. No offense or anything. I enjoyed the movie.”

“None taken. Can I use your outhouse?”

Isaac nods. “Uncle Elias keeps it real clean.”

After the bladder relief, I meet Isaac on the front porch. “I was wondering. Mind if I look at your books. I think that’s another thing we have in common. You know, movies, books, dislike for mannequins.”

“What time is it?”

“Not time for your uncle to be home if that’s what you’re asking. Besides, I won’t stay long. I have to get back to Olive’s.”

Isaac ushers me inside. Of course, I see no TV or radio.

“A hurry to get back to the mannequins?” he says.

“Yep. Can you imagine if Gladys and Fritz only have Olvie to talk to?”

Isaac snickers and points to the books. The one open next to his sleeping pallet has no writing on the outside. “Your journal?”

“Private, if you don’t mind. Now it’s my turn.” Isaac heads out the front door.

The bright green cover is the first of his books to grab my attention. The Negro Motorist Green-Book was about how to avoid problems when travelling. I dig further—The Weary Blues by Langston Hughes, Jack London’s The Call of the Wild, Fitzgerald’s The Great Gatsby, Harriet, the Moses of Her People by Sarah Bradford.

The last book is called Black Like Me written by John Howard Griffin. Something about this book jars a Distant memory. Is it on our bookshelf at home? I open the front cover and see that it’s a library book. I pull the yellow card from its pocket. Checked out on July 31 by Sylvia Peterson. The day she disappeared.

Excerpt from my WIP, working title Olvie and Chicken Coop, set in 1963.

 

Daily word prompt: Distant

Snoopy of Dog Pile asks a question

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“TV Guide says Mayberry is calling to us,” Olvie says. “I don’t much care for Aunt Bee. She’s a prude. But I like it when she lectures Andy. Still, Andy and Barney are country bumpkins. But that Opie Taylor? He asks questions that make sense. And he teaches Andy more than he teaches his son. Chicken Coop, You could learn a lot from Opie Taylor.”

I could learn as much from Opie as I could from bumbling Barney Fife. Right now, I need real advice. I need my parents.

“When is Mom calling back?”

“Why? You can’t talk to me?” Olvie says. “You know me better than most now that you’ve seen my boobs. And I know you better, too. On the rag, you get bitchy.”

I picture telling Olvie about Tanner’s troubles, about the police showing up at her door any minute to ask for him. In my head, I hear her tell me to grab the bat under her bed and hit the deputy in the head if he tries to take away her employee.

Which reminds me. “Did you pay Tanner his wages?”

“Not that it’s any of your business, Snoopy of Dog Pile. But no, I forgot. Wonder why he didn’t ask. He asked for the job, didn’t he? Any person who asks for a job expects to get paid. If they don’t, they hold out their palm. And here I thought he was better than Elias Ford who fords not across the river when he could stand up right and stop acting like a slave.”

I hear Mom’s words. Now, more than ever, I know. Olvie might be a lot of things, but a racist isn’t one of them. Still, as Daddy once said, “When it comes to another human being, how can you truly judge them if you haven’t walked in their shoes? And not just for a mile, either. You’d have to walk in their shoes a whole lifetime. Otherwise, you’d never know where they’d been, what they’d seen, what’s important to them …”

When Daddy kept talking, I finally put up and hand and walked to my room. I don’t really know anything about Mr. Ford. Or Olvie for that matter. I suppose I’m only trying to know myself. At least that’s a start.

“Olvie,” I say a bit hesitantly. “Can I ask you a question?”

“A long or a short one?”

“Does it matter?” I say, sounding like her.

She glares at me.

“The question is short. It’s up to you how long your answer will be. That is, if you want to answer at all.”

“Gotta love having Control of a situation,” she smiles. “Well, go on then.”

“Have you ever been discriminated against?”

“Me? Discriminated against? More times than I can count.” Without saying more, she leaves for the bathroom saying, “Can’t watch a show on a full bladder. They gave me so much of that IV crap that I can’t stop peeing.”

 

Excerpt from “Olvie and Chicken Coop” (working title), set in 1963

 

 

I’m ashamed, and shocked

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… but I don’t take full responsible for my ignorance. As you, my blogger friends and followers know, I have very little patience for the intolerance in our world. My belief system stands firmly planted to the principles of social justice, civil rights and equality. So, why did I just recently learn about Emmett Till? I’m curious. Have you heard of him?

I am currently living in 1963. While working on my new manuscript, I am researching various aspects of life in the 1960’s. Presently titled Olvie and Chicken Coop, teenager Grace Cooper tries to befriend a “Negro” boy who’s visiting from Alabama, but can’t understand why he is so stand-offish. (Not the whole premise of the novel but I’ll tell you more about that another time.) But my particular story line was set when research introduced me to Emmett Till. (I must have missed Bob Dylan’s 1962 song, The Death of Emmett Till)

I know about the Woolworth sit-in, Rosa Parks and the bus, the Freedom Fighters, etc.  I didn’t realize, but now know, that many African American’s moved from the south to Chicago to distance themselves from the John Crow laws — Chicago where they could walk with their heads held high.

I was shocked to learn that this fourteen-year-old boy, who travelled from Chicago to Mississippi in 1955 to visit relatives, never made it back home and the mortifying reasons why.

This boisterous, self-assured young man, didn’t know the “rules” of the south at the time. In some disputed way, either by words or by wolf-whistling at a married white woman, Emmett Till was hunted down by the man’s wife and his half-brother for flirting with a white woman. After being terribly brutalized, Emmett’s body was discovered in the river. The murders were acquitted and set free.

God Bless You, Emmett Till, a kid with only candy in his pockets.

And, ironically, just over a month ago, Emmett Till’s accuser admits she lied. Time to clear her conscience?

For more about Emmett read here.