Out of his comfort zone (until the movie comes on)

 

“Well, well, well,” says asshole pimply-faced Kent behind the glass window. “Thought you were leaving for the summer.”

How could the tolerant Mr. Pryor hire this racist?

“Two tickets.” I thrust the money in the hole.

“Two? Where’s your friend?”

I don’t want to get Tanner in trouble. I also want to stand my ground. “He’s behind me.”

Kent squints at Tanner. “Now you’re friends with a …” He looks behind him. Mr. Pryor faces toward us. He’s chatting with an older lady with bluish hair. “Friends with a colored? He your boyfriend?”

“Let’s go, Chicken Coop,” Tanner whispers behind me. “Ain’t worth it.”

“My friend and me came to watch a movie. Now, sell us the goddamn tickets, Kent.”

There is that look of anger and there is a look of hatred. Kent’s wearing both. He hands me the ticket.“Next,” he says through clinched teeth.

Tanner finds a place to sit in the back of the theater. I go for popcorn and cokes. When I return, he asks if we can put a couple of seats between us.

From my Work in Progress about a biracial friendship in 1963.

Outlier

Is it prudent to protest?

My eyes burn. I can’t see. The concrete is hot beneath my back. They keep chanting, “Babies keep on dying. Nobody seems to care.”

Did I hit my head? Why is nobody helping me?

“Nixon is a murderer,” they yell. “Bring our brothers home now!”

A piece of clarity returns. It took a long time to get to Miami. Nixon is giving his second acceptance speech at the Republican National Convention.

I need Sam’s strong arms, the ones who promised to keep me safe if I agreed to come. Some Vietnam vet he is.

“Hold on, Frank,” a voice says.

“No, man. We gotta go. We’ll be arrested like the others.”

“I said hold on, dammit. I think I know this girl.”

I feel a hand on my forehead. “Chicken Coop? Is that you?”

Images float in my head—a mint green Pontiac. Crows pecking out eyes in an Alfred Hitchcock movie. Body parts in an unplugged freezer that make me want to laugh. I can’t. I’m too dizzy.

“Chicken Coop?”

It’s no longer 1972. It’s 1963 and I’m nine years younger. Now, it’s not the pig’s smoky gas that makes my tears.

(The beginning of my work in progress about race relations in 1963)

Prudent

Learning with challenges

 

Scoots’ hand in mine, we walk home from school. His other hand blows a new harmonica, one of many Miss Helen bought at Johnson’s Variety.

He’s getting better at playing “Has Anybody Seen My Gal.” He misses notes sometimes, but now I can almost sing along without hour-long Pauses between the words.

“You like playing, Scoot?”

He takes the harp from his mouth and wipes it on his sleeve like a real musician. “Like DeFord Bailey.”

“Who’s Difford Bailey?”

“DeFord Bailey. Best ever. That’s gonna be you someday, Scooter,” he says in a Frankish-enough voice I have to laugh. “DeFord had polio. Polio. Like me.”

“You never had polio, Scooter.”

“DeFord learned anyway,” he says, straight in my eyes.

And then I know. Scooter understands that, unlike most folks in Holly Gap, Frank believes in his abilities to learn.

Scoot drops my other hand and uses both to play us home.

Excerpt from The Moonshine Thicket

 

 

Is this how you feel too?

The Invitation by Oriah Mountain Dreamer -One of my all-time favorite poems!

It doesn’t interest me what you do for a living. I want to know what you ache for and if you dare to dream of meeting your heart’s longing.

It doesn’t interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive.

It doesn’t interest me what planets are squaring your moon. I want to know if you have touched the centre of your own sorrow, if you have been opened by life’s betrayals or have become shrivelled and closed from fear of further pain.

I want to know if you can sit with pain, mine or your own, without moving to hide it, or fade it, or fix it.

I want to know if you can be with joy, mine or your own; if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, be realistic, remember the limitations of being human.

It doesn’t interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself. If you can bear the accusation of betrayal and not betray your own soul. If you can be faithless and therefore trustworthy.

I want to know if you can see Beauty even when it is not pretty every day. And if you can source your own life from its presence.

I want to know if you can live with failure, yours and mine, and still stand at the edge of the lake and shout to the silver of the full moon, ‘Yes.’

It doesn’t interest me to know where you live or how much money you have. I want to know if you can get up after the night of grief and despair, weary and bruised to the bone and do what needs to be done to feed the children.

It doesn’t interest me who you know or how you came to be here. I want to know if you will stand in the centre of the fire with me and not shrink back.

It doesn’t interest me where or what or with whom you have studied. I want to know what sustains you from the inside when all else falls away.

I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.

Don’t let the coppers stop us!

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The goods are hidden under a canvas in the backseat. I pinch my nose. The smell’s giving me a headache.

“Lux,” Frank says as we putter down the road.

I remember the advertisement. Lux soap, rich in fragrance.

“Every box has a layer of soap on top. Not Ivory. Miss Helen says it’s not strong enough.”

“But you can’t smell sealed moonshine anyway,” I say.

“No. But she says if I’m stopped, I’m supposed to say I’m delivering soap to Common’s Variety in Houston.”

“And if we are stopped, say I’m your little sister. It would look daffy otherwise.”

“Deal.”

We settle in for the drive, Miss Helen’s directions between us.

“You know what she told me before I left?” Frank says.

Before I’ve counted to three, Frank says, “Get there as fast as Holly Gap gossip.”

I backhand his shoulder and laugh. “Then we should already be there,” I say, and settle into Nervous Town where a daddy finds out his daughter lied.

 

Excerpt from The Moonshine Thicket by CD-W

 

 

 

 

The Smart Crust

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March, when Scooter turned fourteen, the handmade crown Miss Primrose gave Scooter never stayed on his head. I’m not so sure it was the crown’s fault.

“I agree, Scoot, ol’ Buddy,” Frank says. “We should wait until we’re real kings to wear crowns.”

“King Scooter Hutchings.” Scooter chuckles. “King Scooter Hutchings doesn’t walk on crutches.”

“Frank,” I say. “Are you teaching Scoot to rhyme?”

Frank shrugs and smiles.

“All the time,” Scooter squeals.

We laugh our way to the final steps of the schoolhouse. “Scooter, remember about tonight. We can’t tell Bernie about our plans. It’s a secret,” I tell him. “I want our plans to come to fruition.”

Scooter crinkles his nose.

“You know—”

“Work as planned,” Scooter says, pulling out his pocketknife.

Scooter is the smart crust around the Juicy apple pie that holds everything together.

Excerpt from The Moonshine Thicket

 

How do you shake hands?

Funny, how a word prompt will remind you of something. A long time ago, when I was fourteen, the pastor leading our confirmation class, talked about shaking hands. He said, “Shake hands as if you mean it. Who wants to shake a limp fish?” We called him P.F. and, for many reasons, he was one of the best individual’s I’d ever met.

For some reason, his unexpected comments about shaking hands stuck with me. Shake firm. Show your strength. Show  your character.

So, I began shaking with confidence even if I didn’t feel any. That’s when I noticed the different kinds of handshakes on my receiving end. The limp fish. The Lukewarm I-don’t-really-want-to-meet you kind; the one’s with, egads, two fingers.

Decades later, I realize I have formed my own version of a handshake. The main difference is that I don’t do the pump up and down. I grab hold, look in the person’s eyes as if they are worthy, and don’t let go until I feel as if I’ve truly “met” them. Sometimes, I will put my other hand on top for good “measure.”

How do you shake hands? (Or do you just fist-bump? 🙂 )

Oh, and if you are shaking a paw, always do it gently!

Don’t criticize those who are “different”

I don’t want to answer any more of her all-the-time questions. So I ask, “Where’s Scooter?”

“Behind on his school work. No surprise there.” She laughs, but I know her son lagging behind in this world rubs blisters of worry under her skin. “He’s home with Leonard,” she continues. “I’ll swannee, my poor husband doesn’t have much hair left from the strands he pulls out trying to help Scooter.”

“Hmm,” I say, looking at Choppers.

Kids at school say Scooter’s grain elevator doesn’t reach the top of the silo. That he acts more like a six-year-old than a thirteen-year-old. They don’t know Scooter like I do. He might not be the brightest penny in the cash box, but I’ve known him all my life. He has more grain than most of the numbskulls in Holly Gap, Texas and Scooter’s worth more than the whole lot of them. Wherever Scoot skips, bounces or walks, goodness sprouts in the footsteps he leaves behind. Without Scooter, everything would grow dead.

Excerpt from The Moonshine Thicket

Daily word prompt: Criticize

The Lone Wolf Trembles

Carla falls into my arms. Her pale face is scratched up and whiter than usual. Her dress is ripped at the bottom. When I hold her, she feels like a stranger.

Remembering how Daddy helped me the night I ran home from Frank’s house, I steer her to the kitchen, plunk her on a chair, and hand her a wet rag. She won’t stop crying.

“You going to tell me?” I say.

“Oh, oh, Emma. It was … was just awful …. He.. he…”

“Who?”

Carla blows her nose and looks at me like she remembers us being good friends. “He pinned me down. Said I wanted it. Said I’d been asking for it a long time. But I wasn’t, Emmy. I never asked for that! Never!”

She blows her nose again. Her tears are real, like when we were little girls and Stevie told her she looked like a possum.

“When did this happen?”

“Right after school.” She squeezes my arm. “Sometimes? I feel so lonely without you that I think kissing a boy would take my mind off not being around you and Scooter.”

She’s blaming me for acting like a tart?

“We used to have so much fun. But my parents made me stay away from you.”

I’ll ask her about that later. Right now, I think about jelly-mixing. “What did he do to you? He didn’t, you know …”

She shakes her head and cries again. I count to three. “Then what?” I say.

“He almost did. He pulled up my dress. He, he saw my panties, Emmy, my panties! He would have done more but, but we heard Rachael yelling out for me. She didn’t know I’d gone with him behind the schoolhouse. Anyway, he clamped a hand over my mouth, told me to shut up.” She’s stopped crying, but now she’s shaking like a tornado through a house.

 

Excerpt from The Moonshine Thicket

 

Tremble

If the Bordello’s table could talk!

Madame Fannie Porter’s “soiled doves” give Meta, the bordello’s piano player, a gift.

“Meta,” Lillie said, her voice soft, as usual. “We have something for you, too.” She nudged Sassy Sarah.

“Sorry it’s not wrapped.” Sassy pulled the item from her lap and presented Meta with a comb carved with ivory roses.

“Kinda my idea,” Greta said, and ignored Sassy’s frown.

My girls. Their thoughtfulness overwhelmed me. They remained dry-eyed. Maybe too leather-skinned from hard lives to soften now. Some day, perhaps.

Meta shook her head as she placed the hair ornament inside the box. “Thank you,” she whispered.

“Well, missy.” Reba shook her head. “You sure picked a fine time to come to the big city.”

Meta chuckled. “A doozy.”

“I seen doozies of trouble in my day. Most is harder to pull off than ticks. Best thing? Meeting Fannie Porter. Worst? All them days before.” Reba draped a handmade amulet necklace around Meta’s neck. “For good luck.”

Meta didn’t ask what concoction Reba had put inside the amulet. Instead, she curled her fingers around the necklace then stood to hug Reba.

Reba and I had been worried about Meta after the shooting. Unlike my girls, Meta came from a simple, pleasant life. When she came to San Antone, she had seen the hardscrabble side and had proven herself a survivor.

Meta sat quietly, skimming her fingertips across the tabletop.

“What you thinking, girlie?” Reba said.

Meta let loose a wide grin and glanced at each of us. “So many secrets engrained in this wood. If only it could talk.”

“H’yaw, now.” Greta thumped Meta on the wrist. “Cain’t tell everything.”

We all cackled like a bunch of old women at a quilting bee and that image made me shiver.

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excerpt from The Last Bordello

 

 

Overwhelming