Campout over

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It was dark, like now. Miss Helen had laid out the sleeping bags. Mama had set the sandwiches and cookies she’d made in the center of a picnic cloth.

After Mama and Miss Helen had gone inside the house, Scoot and me were fine for a while. We settled in to the hum and thump of the distillery until I realized the machine was so loud, I wouldn’t be able to hear danger if it came sneaking up on us. Maybe if Choppers had been there. But he was still recovering and getting used to his missing leg.

All that day, Scoot had been excited about camping out. That’s why I didn’t tell him I was spooked. I looked up through the gaps in the trees and watched the clouds as they moved across the half moon like Blankets trying to cover a small bed. Then it got darker. The owl hooted. When we both saw its eyes, yellow and mean, Scooter said it first. “Campout over.” Then he got up and walked inside with the sleeping bag over his head.

I’m not afraid of the dark anymore. I’m not afraid of untold secrets, either. “I’m afraid for Scooter,” I tell Frank.

Excerpt from The Moonshine Thicket set in 1928

 

Driving home from the hospital

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We’ve only been waiting a few minutes when Tanner pulls the green and white Pontiac up to the front of the hospital. He hops out of the car, his teeth glistening in the dim light of dusk. Soon, I’ll be the one who makes his smile go away.

He opens the passenger door for Olvie. “Miss,” he says, ushering her inside like a real chauffer.

“How many dents and scratches did you put on Pontiac?” she says.

“Only one.” He smiles. “Buffed out easy as pie.”

Olvie lets out a hoomph. “Think you’re funny, don’t you Wise Guy?”

“Yes’m. Sometimes, my funny bone pops out an’ jes’ makes the white folk laugh.”

“Stop talking like Elias. Your uncle thinks he’s living on some plantation in Mississippi picking cotton for his Master.”

Tanner starts the car and pulls away from the hospital. “Uncle Elias’ Roots are still in his ancestors cotton field. And it’s Massa, not Master.”

I catch Tanner smiling at me through the rear view mirror.

“Don’t you dare stink up my car with slave dialect,” Olvie snarls.

“As long as you don’t dress me up in a moo-moo or as an Injun.”

“Don’t be crude, Wise Guy. I’ll have you know that Fritz is no ordinary Indian.”

“That’s for sure,” Tanner mutters.

Olvie huffs. “He’s an Indian Chief, and don’t you forget it.”

 

“How do you know Fritz likes being a Chief?,” he continues. “Maybe he just wants to be a mannequin.”

“Why you!” Olvie squeaks.

“Okay, maybe he liked being a Churman and wearing those lederhosen.”

“Shows what you know. The German Fritz got tired of thinking about the damn Nazis’.”

If I hadn’t watched the news, hearing their banter would have put me in a state of euphoria. Tanner seems totally happy, almost like a new person. But, knowing what I know, nothing in the world is funny.

Excerpt from my Work in Process, Olvie and Chicken Coop (working title), set in 1963 during segregation.

Emma June remembers something

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“Shut up, Betty. You’re drunk.”

“Not enough. I thought this would be easier. I would never have told you except, except, well, now we need your help. The money’s dried up. You’re my only friend.”

“Friend? You’re not my friend. You’re a liar, a traitor. How could you?!’

Mama’s crying now and I think I have to upchuck again.

“But Bernie, I’m all he’s got. And if I don’t have help, I’ll be forced to, to tell everyone. Everyone!”

My head hits the back of Beauty’s seat. Mama has screeched the Model T to a halt.

“You’re threatening me now?” Mama’s words are Spikey like cactus needles. She never yells like this. “Is this why you befriended me in the first place?” Mama sobs. “For money? For …”

It still doesn’t make sense. The only thing that does is being home with Daddy.

I stumble through my front door trying to breathe.

“Emma?” Daddy says. He rushes to me with arms wide enough to hug all of Holly Gap. Choppers licks muck from my face.

“Oh, Daddy, Daddy.” I let him hold me.

He lifts my chin and stares at my dirty, scratched face. “What happened, Emma June? Tell me.”

His voice is worried. But there’s no truth I can tell him. Not now.

 

Excerpt from The Moonshine Thicket, 1928

 

 

The unenlightened neighbor

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Olvie pours herself another cup of Folgers while I start the pancake mix. “I think that was the door, Olvie.”

“Come in, Wise-Guy,” Olvie yells.

“Well, that was pleasant,” Tanner says, wearing a clean pair of “underground” railroad pants.

I pour circles of batter into the hot skillet. “What?”

“Man came charging toward me from across the street. Said I didn’t have any business being here. Guess he doesn’t like Negros.”

“Asshole,” Olvie mumbles.“That’s because he doesn’t like himself, that stupid son of a bitch.”

Pondering her words, I wonder if Olvie is really smarter than the rest of us. Mom and Dad told me people are often scared of things they don’t understand. And instead of trying to figure out what they’re afraid of, they resist anything new, anything different. Mr. Roberts must not have any Negro friends. If he did, he wouldn’t be afraid of a teenage boy.

“What did you tell him?” I ask.

“Nothing. I ignored him.”

“Why’d you do a thing like that?” Olvie says. “Should have told him off.”

“And why would I do that?” he says. “I don’t want trouble.”

Olvie huffs. “You sound like your uncle. ‘Don’t wants to cause any trouble, ma’am. Yes’m, anything you want, ma’am. Ain’t no good stirring the pot, you see.’ Ugh.”

“You think Uncle Elias should stand up for himself? Like I told Chicken Coop, he’s old school. He’s still afraid of the white man’s world.”

“Oh, and you’re not?” Olvie says.

“Oh, yes’m, I is alright,” he says in dialect. “Jes’ try nots to show it.”

Olvie stops in mid Chuckle. “Elias still thinks garlic hanging over a bed will cure a cold. If you tell him otherwise, he won’t listen. Speaking of, how’s that finger, Wise Guy. Need me to chop it off? You hung those tools up real nice in the utility room. I can find my saw easy now.”

Tanner squeezes his hand. “No thanks. Think I’ll hold on to it for a while.”

This makes Olvie laugh. She has a good laugh, one I’d like to hear more often.

Excerpt from my work in progress set in 1963.

 

NOTE: The photo is of Emmett Till who reminds me of my character, Tanner Ford. This novel will be in honor and memory of Emmett.

Dog food Sandwich

Scooter grabs my hand when we head home from school. “Angry, angry,” he says.

“You’re angry Scooter? How come?”

Farter’s angry.”

I’m about to ask him how he knows when the Great Stupid Gatsby Franken-Farter rushes up behind us.

He shoves my shoulder and breaks my hold on Scooter.

“You’re a real scam, aren’t you, Enema?”

I brush his germs from my arm. “What’s eating you?”

“You thought it was funny, didn’t you?”

He’d finally done it. He ate the dog food sandwich.

Scooter backs away and starts mumbling. I reach in my satchel and hand him my yo-yo to take his mind off things. I’ll untangle the string Later.

Excerpt from the Moonshine Thicket

 

That’s what men (AND WOMEN) do

Something moved on my left. “Look, Giovanni!” I pointed to the anole sitting on the rim of the Miss Reba’s flowerpot.

“You act like you’ve never seen a lizard before.”

“It’s not just a lizard. It’s an anole. Look, there!” A pink bubble grew from its throat. “The first time I saw one do that, I thought it was about to burst from the inside out. It scared me. It reminds me of Emil.”

“He looks like a lizard, does he?”

“No.” I gave him a gentle backhanded slap on the shoulder. “I was with Emil the first time I saw an anole do that. They camouflage themselves so they won’t be seen. They bob their heads and bubble their throats to show off. They also do it to protect their Territory and scare off intruders. I admire that. He stands his ground.”

Giovanni shrugged. “That’s what men do.”

“Like Miss Fannie does. And what more women need to do.”

“Guess that means you’ll be wanting to vote?”

“Let’s see.” I mocked a faraway gaze, tapped my chin, and turned to him. “Bet meine Arsch I do.”

 

 

BLOW like a hurricane

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The hundred yards might feel like a thousand. It doesn’t matter. If someone needs to save Mama from the wolves, it might as well be me.

I gather courage like the Mayor gathers con-stitch-you-wants, and make my way to Scooter’s house. He sees me first and runs toward me, his arms wide. “Emmy! Emmy!” I hug him back and glance at Frank who raises his hand a few inches.

“Frank’s my tutor!”

“That’s good, Scoot,” I say, as we get closer to the porch. “Are you learning anything?”

“Tons and tons and tons. Blow the harmonica. Blow like a hurricane.”

I’ve crossed the chancy line into risky Territory.

 

 

Fairy kisses

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“Ready?” Daddy says, looking at me.

And then I remember something. “Brandon? You said Rachael liked Scooter’s get- well letter the best. How come?”

“He drew her a heart. It was Purple with a big smiling face and red pokey hair. Had freckles, too.”

“Kissed by fairies many times,” Scooter says. “More than you, Emma June.”

I hug Scooter. I want to bounce him up and down like he does me. I can’t. Scooter’s been growing, not like a weed, but like a beautiful wildflower.

Then the three of us, a Choppers-legged dog family, say our goodbyes and are about halfway home when Daddy says, “Doodle Snip? Think we can tell you about everything tomorrow? It’s been and long day and we’re—”

“It can wait,” I say. “Besides, it doesn’t matter now.” Then I’m sandwiched between two pieces of Wonder Bread.

Excerpt from The Moonshine Thicket

 

The year: 1971

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Carol, Donna an me (me the skinny minnie on the right) discovered this Hideout. (Donna’s taking the picture from my Polaroid camera) In the wooded area near our houses, and just over the railroad tracks, we found this tin shack. It wasn’t surprising since “hobos” often frequented the trains. A pipe suck out of the so-called roof where the smoke from the inside-makeshift-fire-place could escape. We never built a fire, nor did we ever sleep there. But it was a place to go at the age of 15 to get away from (egads) the parents and the world. It was there we puffed on cigarettes.

1971, when the New York Times begins to publish sections of the Pentagon Papers showing the US Government had been lying to the American People.

  • Jim Morrison of The Doors is found dead
  • Love Story (“Love means never having to say you’re sorry) airs
  • Disney World opens!

And then, we have:

There’s more. Much more. But some secrets must be kept!  🙂