Like a Rodeo Bull

From The Last Bordello (1901). Madam Fannie Porter talks to Reba, her best friend and co-worker.

 

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Miss Reba (as I picture her)

Reba’s voice brought me out of my doldrums.

She stood just inside the kitchen, her hip holding open the screen door. “Freshness growing from the ground up. Picked and served like He made possible.”

“You woke up from your nap.”

“Thought I died of a soft underbelly?”

“You? Hell, you might be eleven years older than me, but you’ve got more vim and Vigor than a rodeo bull. Just as stubborn, too.”

“Speakin’ a that. Tell ’em, Fannie. You don’t wants to beat a path around that ponderin’ bush. They needs to know.”

I followed her motion to come back inside. “You’re right, Rebie. We’ll tell them when they come down to eat.”

“We tells ’em? Ain’t no we about it. No, ma’am. That jawin’ session be yours.”

This time, it wouldn’t be a regular house meeting that consisted of reminders about chores that needed doing, client appointments, and Reba’s nagging them to douche and keep their pee-shes clean. This powwow would be different.

 

 

 

 

 

Sadie, before becoming a prostitute

At age fifteen, Sadie Sated Timothy – from The Last Bordello.

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It started the day Timothy and me sat on a gentle slope on the banks of Geronimo Creek between the honey mesquite and Texas spur grass. He’d snuck a bottle of whiskey from home and had been thoughtful enough to bring crackers and a small chunk of cheese to our Sunday afternoon picnic. I was smitten with the boy, the twin to my best friend, Kat.

He spread the blanket and, for the first time, I spread my legs. The weight of him, slight as it was, felt like a made-to-fit blanket.

He was finished before I had the chance to feel him inside of me. “I might only be fifteen,” I said, laughing. “But I don’t think that’s what it’s supposed to feel like.”

Offended at first, Timothy managed a grin. “Then I guess we need to try it again.”

Then I caught sight of the ugly housedress that Lucinda, my so-called mother, wore almost daily. Ugly like her character. Ugly like her words. Stupid like her Bible-mouth that preached how Jesus would protect her yet Lucinda wouldn’t get up on a ladder if her life depended on it.

She split us apart, yanked me up by the hair, and ruined my favorite dress as she dragged me home.

“You miserable bitch,” I screamed. “Just because you couldn’t keep my father at home doesn’t mean I have to be a spinster. I love him! Love him! Any time Timothy wants me to pleasure him, I’ll be willing and ready.”

Lucinda slapped me. I slapped back, harder. She fell on the warped flooring of our kitchen and dabbed a finger at the corner of her bloodied lip.

For the next two weeks, we didn’t speak. Still, I heard her mumble on occasion, “Ticktock, ticktock. They’ll put you under key and lock.” I didn’t pay attention to those words. I should have.

The Red Bordello Door-To Enter Or Not?

 

If you choose to go inside…

Madam Fannie Porter will answer your knock, her  head tilted back and a hand on her protruded hip. If you are a customer, she’ll first point out her list of rules and if you don’t follow them, the ratchet of a shotgun will show you the way out.

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Then, she’ll point to one of her soiled doves –Chubby Greta from west Texas with her big brown eyes and no nonsense attitude; timid Lillie who grins but rarely exposes the gap where her tooth had been knocked out by a brute; Sassy Sarah with her flaming red hair and ample bosoms. Then there’s Sadie. Well, Sadie …

If you are a lost young woman steered to the wrong “boarding house,” Madam Fannie will keep you safe. She might also offer you a job as the bordello’s pianist.

But perhaps you choose not to enter.

You may be against vice, the Social Evil, the Grand Wrong. Then go to the public forum in Alamo Park. Hear Minnie Fisher (Cunningham) speak out on women’s rights. Listen to Women’s Christian Temperance Union‘s Texas president, Helen Stoddard, speak out against prohibition. But prepare yourself. Texans likes their beer.

Whichever choice you make, know this. The Last Bordello is not a novel about what goes on behind closed bedroom doors (okay, perhaps a tad), nor is it merely a whodunit. It’s about powerful women at the turn of the twentieth century who fought for their standing in life. While some found prostitution to be their only means of survival, other women fought for equal rights.

The Last Bordello depicts the struggle and determination of both sides.

Oh, and I suggest NOT entering Southwestern Insane Asylum.

It is 1901. So, would you enter or not? Are you curious about what’s inside? Appalled? There’s no wrong answer. There’s no right one, either. I’d love to hear your response and a reason or two why you chose to go in or stay out. 

All the best,

Carolyn

 

The Last Bordello-True Characters

Inspirations for the novel – true characters in The Last Bordello (San Antonio in 1901) Opposing forces or unified goals?

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Madam Fannie Porter

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Butch Cassidy

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Kid Curry

 

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Etta Place and the Sundance Kid

 

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Helen M. Stoddard

 

 

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Mayor Bryan Callaghan

 

 

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Mary Eleanor Brackenridge

 

 

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Minnie Fisher (Cunningham)

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Carry Nation

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Mayor Marshal Hicks

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Otto Koehler

The Last Bordello

It’s done. Finished. Inches away from publication. Whew!

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Madam Fannie Porter runs the best bordello in Texas. Just ask the outlaws she harbored and entertained for the weekend—Butch Cassidy and his Wild Bunch.

But when the gang rides off, Sadie, her best soiled dove, is left unhinged.

While the Pinkerton Detective Agency remains in hot pursuit of the outlaws, the Women’s Christian Temperance Union plans a town rally against alcohol and prostitution.

Neither is good news for Miss Fannie.

First, she will never give up a client. Second, while pondering the upcoming temperance powwow, she relies on her business savvy. She forbids her girls from attending the meeting and hires a pianist, the talented, yet virtuous, Meta, to keep the customers coming.

When a temperance woman is found murdered, Sadie becomes the key suspect. Now, Miss Fannie and Meta must discover the truth before the WCTU—or the killer—nails the red door, or another coffin, shut.